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    The Mark of the Slave

    Collapse
    One of the most disconcerting signs of our society’s decay has been the proliferation of tattoos. And it only seems to be getting worse.

    I grew up in the America and England of the 1960s and 70s. The only “ink” I recall seeing at that time was on veterans of the navy (typically a relatively small image of an anchor or mermaid), and survivors of the Nazi concentration camps. That was it. Never a conspicuously visible, multicolored, “artistic” design. To imagine such a thing being common, and on women no less, would have been to enter the realm of science fiction.

    For thousands of years, tattoos have been the mark of the slave, the criminal, and the pirate. In short, the dregs of society. This is reflected in the Bible, which in Leviticus 19:28 states, “You shall not make gashes in your flesh for the dead, or incise any marks on yourselves: I am the Lord.” The prohibition is presented in the context of warnings against prostituting one’s daughter, wizardry, mediums, sacrifices to Moloch, and other sickly, idolatrous, and barbaric customs. To permanently engrave one’s body with ink is to spit in the face of God and man alike.

    In the current era, one peculiar aspect of the phenomenon is its appearance across the socioeconomic spectrum. If it were limited to the lowest classes, we might consider it to be a strictly vulgar pursuit, to appear street-tough and repellant. But when a young lady at Princeton, from an upper-class family involved in molding the cultural, political, and economic shape of the nation, thinks that inscribing on her body the mark of the slave is “cool,” what are we to expect from our elites? Nothing good, for sure.

    It’s one more strike against our youth. They have become dumbed down, humorless, self-hating, and uncultured; we poison them with psychotropic drugs, mutilate their genitals, and ruin their health and adulterate their DNA (or simply murder them) with safe and effective injections. Are tattoos their cry for help, or rather their proudly-displayed badge of membership in a new race of botched, confused, and profoundly ugly subhumans?
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    Back to Basics: Friedrich Hayek

    Book Reviews Economics Legacy AWOL Blog Marxism
    Among the many problems staring our society in the face is the imminent meltdown of the financial and monetary system. There are numerous facets: uncontrolled government spending and intervention; a looming sovereign debt crisis; the enormous, Byzantine derivatives complex; the insolvent banking system; the growing power of the BRICS countries; and on and on. Putting all the pieces together is a daunting task.

    Standing ready to assist us in this labor are the great thinkers of the field. Among these must be counted the incomparable Friedrich August von Hayek (1899-1992). He is best known as one of the founding fathers of the Austrian school of economics, and the outspoken nemesis of John Maynard Keynes. Hayek demonstrates conclusively how Keynesian economics—that web of misconceptions and mythology in which the West is now trapped—is dysfunctional and guaranteed to fail.

    But Hayek goes far beyond this level of analysis. He goes deeper, burrowing into every rabbit hole of socialism and interventionism to expose the ideological and spiritual foundations of this perennial challenge, not merely to the financial and monetary system, but to civilization in its entirety.

    I am reprinting below a post that I wrote about him in 2007, on the original AWOL Civilization blog.

                                        *          *          *

                  The Extended Order of Human Cooperation

    No blog on the deterioration of Western culture would be complete without a tribute to Friedrich August von Hayek (1899-1992), the great Austrian-born economist and philosopher. When one considers the breadth of his work and the acuity of his analysis, he may very well be the preeminent sociopolitical thinker of the 20th century.

    No one has been such an outspoken advocate for liberty, or such a devastating foe of all forms of socialism—what Hayek often calls "collectivism." In The Counter-Revolution of Science (1952), he deconstructs the illusions of the early socialist thinkers, notably the false doctrine of “scientism," the misapplication of scientific methodology to social phenomena, particularly history.

    History, Hayek explains, is not a real thing, subject to the methods of the natural sciences. If we are to undertake a study of zebras, we need not hesitate to employ these methods. We see before us a type of animal that is clearly distinguished from other species. There can be little doubt that a zebra is a zebra. Our subjects behave in accordance with the characteristics of their kind. They cannot change themselves, and there is no emotional or intellectual bond between researcher and subject.

    All this is completely different when it comes to human history. Our subjects do not behave in a predictable fashion, and they can remake themselves. There are many bonds (and enmity) between researcher and subject. But most importantly, the creation of history is itself a subjective act. The actors are implementing what they believe to be “their" history of the moment; moreover, each individual has a different perception of his own behavior, his neighbor’s behavior, and indeed everything else occurring in the world. To say that this phenomenon is subject to laws in the same sense as natural laws is a serious error.

    In The Road to Serfdom, written during World War II, Hayek demonstrates that Communism and Nazism are two sides of the same collectivist coin. He traces the careers of the National Socialist (Nazi) leadership, showing that they were socialist in every sense of the word. In fact, many were prominent “left-wing" socialists or communists who embraced the swastika as Hitler rose to power. Hayek thereby dismisses the influential myth that the Nazis were some sort of ultra-conservative movement.

    In The Constitution of Liberty (1960), perhaps his magnum opus, Hayek lays out a philosophical blueprint for a 20th-century society based on liberty. This book is the modern heir to the ideas of Locke and Adam Smith.

    The Fatal Conceit (1988) is a general critique of socialism, in which Hayek shows that “rational" planning is doomed to failure. The very first paragraph sums up much of his thinking:

    “This book argues that civilisation depends, not only for its origin but also for its preservation, on what can be precisely described only as the extended order of human cooperation, an order more commonly, if somewhat misleadingly, known as capitalism. To understand our civilisation, one must appreciate that the extended order resulted not from human design or intention but spontaneously: it arose from unintentionally conforming to certain traditional and largely moral practices, many of which men tend to dislike, whose significance they usually fail to understand, whose validity they cannot prove, and which have nonetheless fairly rapidly spread…”

    When I read Hayek, I am always struck by his vast command of history, culture, philosophy, and economics, as well as by his matter-of-fact tone. His attitude is distinctly non-ideological; he is never the advocate of a party or “program.”

    Hayek warned us about flirtation with the wily seductress that is collectivism. Will we take heed?
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    Memorable Quotes (no. 5)

    Memorable Quotes
    [I would like to wish everyone a Merry Christmas and Happy New Year!]

    "Aesthetic interest does not stem from our passing desires: it reveals what we are and what we value. Taste, like style, is the man himself."

    — Roger Scruton, An Intelligent Person's Guide to Modern Culture, 1998
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    Hollywood 2.0

    Covid Culture Russia
    In my previous post, I wrote that Elon Musk should establish a movie studio that would produce alternative cinema, to challenge the longstanding dominance of the medium by the Left. The studio’s first film could be a sequel to the Jason Bourne series, this time with the CIA plotting a coup d’état against a conservative U.S. president.

    Following are some further suggestions for movies that speak truth to power. Please feel free to add your own ideas in the comments.

    “The Butcher of Boulder”

    ​    Liam Neeson once more plays his familiar role as the estranged father (or grandfather?) who must save his children from harm. In this incarnation of the role, he is a blue-collar guy living in Providence, Rhode Island. Life is fairly normal, until his wife becomes a lesbian, obtains a divorce, cleans him out financially, and is awarded custody of their only child, an eight year-old boy. She moves with the boy to Boulder, Colorado, and before long shacks up with another woman.

    After being denied visiting privileges, the father sells his last possessions to fund a move to a nearby town. After doing some undercover investigation, he discovers that the ex-wife and her girlfriend are about to bring the boy in for a sex-change operation. Liam must outwit the two women, the police, social workers, and the medical butchers, in order to save his son. The ensuing chase, involving multiple modes of transportation, ends in Uruguay, where Liam and the boy attain asylum.

    “The Broken Broker”

    Denzel Washington plays a stockbroker in Cleveland who is having a mid-life crisis. He decides to move to Portland, Oregon, to start a new life. Nearly every job interview in the new city results in a job offer, even when it is obvious that he is underqualified. In every case, the phony gushing over a black candidate is all too transparent. This makes Denzel feel humiliated and depressed.

    He buys a house, and sets up a home office for his own independent brokerage. When potential clients (both white and black) see him, most of them take their business elsewhere, assuming that he’s not really qualified.

    Denzel manages to eke out a living, and finds a supportive girlfriend. He becomes involved in the local Republican Party, concentrating his efforts on fighting DEI. After a number of spicy battles with political adversaries, Antifa burns down his house. He moves back to Cleveland with the girlfriend, and soon becomes the host of a right-wing radio program.

    “Jab Me Once, Jab Me Twice”

    In the darkest days of the scamdemic, a humble airline steward (played by Jared Leto) refuses to take the jab. He defies the airline, the FAA, and almost all of his friends and family. Everyone is amazed that such a mild-mannered man could confront the world in this manner. One day, just before boarding a plane, Jared is informed that he has been fired from his job. This will be his last flight.

    At thirty thousand feet, somewhere over Middle America, the pilot and co-pilot are gossiping about the steward, mocking him for being a “vaccine denier.” They share a good laugh. All of a sudden, the pilot has a heart attack and keels over. The co-pilot takes control of the aircraft, declares Mayday, and requests permission to land at the nearest suitable airport. But then he also has a heart attack, with terrible convulsions before his death. The stewardess screams; Jared rushes to the cockpit. He asks, over the PA system, whether there are any pilots on board. Silence from the cabin.

    Despite having no experience as a pilot, Jared rips off his Covid mask and begins to fly the plane. With guidance from air traffic control, the plane descends, in a nail-biting scene, to a bumpy but successful landing in a Nebraska wheat field. Jared becomes a national hero; his testimony before a Congressional committee leads to the cancellation of the killer jabs.

    “Seven Days in February”

    High officials in the Pentagon and State Department are attempting to start a nuclear war with Russia. They manage to pull off several minor but audacious attacks while planning the “big one,” a provocation so outrageous that the Russians will have no choice but to retaliate with everything they’ve got.

    ​    The secret plans are discovered by a patriotic colonel, played by Matthew McConaughey. Being severely disabled from wounds suffered in Iraq, Matthew moves slowly, and is limited in what he can accomplish. On the verge of despair, he meets a young, intrepid female reporter, and together they blow the whistle on the whole affair. Nuclear war is averted. The Secretary of Defense and several other conspirators are imprisoned, and the President is impeached.
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    Don't Forget the Culture War

    Art Culture Politics
    There is great anticipation in the land, that the incoming Trump administration will set aright the capsizing ship of state. I examined this topic in my post of 12/9/24; now I would like to expand the discussion beyond the boundaries of the merely governmental.

    There is a tendency among the forces of the Right to be fixated on the political realm, particularly the Executive branch of the Federal government, as the source of salvation. I have no doubt that this domain is quite important, but it does not have primacy. The Left understands this full well. They know that fundamental change, including in the political sphere, is the end result of cultural shifts. Remember the “long march through the institutions”? That was the Left’s gradual, patient, decades-long subversion of the culture. And it worked.

    Let us recall the domains in which the Left overthrew the existing structures, and ousted the last vestiges of sanity: criminal justice; primary/secondary education; art; movies; academia; medical; economy/finance; race relations; to name just a few.

    The Obama/Biden regime is the logical outcome of this process. It could hardly be otherwise. Can it now be overturned and expunged by a change of president and other high-level government personnel? I submit that it cannot. To be sure, many emergency fixes can be made. I do not wish to downplay their importance. I will be the first to applaud if, for example, all illegal aliens are deported from the country. This is essential to national survival.

    It is unrealistic, however, to expect that Trump and his associates are the people who can accomplish the required deep cleaning. They are liberals (in the classic sense) who have been “mugged by reality”; who are horrified at the excesses of the Left. They can apply the emergency fixes, but they are not equipped philosophically to lead us into the promised land. That work will remain to be accomplished by others.

    As a case study, consider Elon Musk. His support for Donald Trump, and his purchase and decensoring of Twitter, were laudable actions. But if he were a true cultural leader and visionary, he would go much further. He would confess that Tesla is a monstrous grift based on one of the biggest lies in the Left’s pantheon of big lies: the Global Warming/Green Energy myth. Musk would then convert the Tesla operation to the production of simple, $10K internal-combustion cars, sell the company, and use the funds to set up a movie studio that is bigger than all of Hollywood combined. The first film to be produced would be a Jason Bourne sequel, this time with the CIA plotting a coup d’état against a conservative U.S. president.

    Next step for Musk: Become the leading benefactor at the top five art museums in the country. Use that position of power to clean out the “contemporary” filth, replace curators and executives as necessary, and restore American art to its former elevated status. MAGA: Make Art Great Again.

    Now back to reality: Let us not live under the illusion that this monumental task can be delegated to one individual, namely Mr. Trump, and that’s that. The responsibility for cleaning out the rot has devolved upon each of us, every man in his respective domain. We must overcome, however, the propensity of our side to non-involvement in such affairs. Folks on the Right tend to be engaged in productive economic pursuits, as well as family, religion, and other “normal” activities. They are not, by nature, political animals. The Left has a huge advantage in this area, having armies of people whose religion is Wokeism, and who are willing to devote their lives to the cause.

    The Right builds, the Left tears down. An ancient template. When institutions are conquered by the Left, they become platforms to pillage and ruin what came before. Educational institutions become a tool to destroy education. Artistic institutions destroy art. And so on.

    Now it is time for us to do some destruction of our own—creative destruction, to return those institutions to their true roles. We need smart and preferably young people to attain key positions in education, the arts, and other areas in which opinions are formed and culture is determined. Ideally, the big guns like Musk could jump-start this process. When this is in place, we can speak truth to power, and solve the dilemmas plaguing our society.
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    Memorable Quotes (no. 4)

    Marxism Memorable Quotes
    "The egalitarian doctrine is manifestly contrary to all the facts established by biology and by history. Only fanatical partisans of this theory can contend that what distinguishes the genius from the dullard is entirely the effect of postnatal influences.

    ​The presumption that civilization, progress, and improvement emanate from the operation of some mythical factors—in the Marxian philosophy, the material productive forces—shaping the minds of men in such a way that certain ideas are successively produced contemporaneously in them, is an absurd fable."

    —Ludwig Von Mises, Theory and History, 1957